The Frauenkirche Dresden is one of the most beautiful and famous churches in Germany and, indeed Europe. This Baroque masterpiece was rebuilt in 2005, finally completing the skyline of one of the most beautiful cities in Europe.
Dresden was known as the Florence of the Elbe, and the bell-shaped dome of the Frauenkirche its most famous landmark. After its destruction in a 1945 bombing raid, it was left as a pile of rubble, a reminder of the destruction of war, while other prominent Dresden buildings were gradually rebuilt.
It was, however, worth the 60-year wait. The Frauenkirche is one of the pinnacles of Protestant Baroque, its lofty interior and dome drawing the eye heavenwards.
Our guide to the Frauenkirche of Dresden tells its remarkable story and rise from the ruins, while describing in detail what you’ll see on your visit. We also explain how to get there, and what to see in the vicinity of the church. We hope you enjoy your Dresden visit as much as we did.
Why Visit The Frauenkirche Dresden
The Frauenkirche is one of the most beautiful Baroque churches in Europe.
It’s one of the most famous and iconic buildings in Dresden, and its rebuilding in 2006 marked the culmination of the restoration of Dresden following its destruction by Allied bombing in February 1945.
The completion of the Frauenkirche in 2005 also marked the full restoration of the famous Dresden skyline from the 18th century, which also includes the Catholic Hofkirche and Dresden Castle.
The Frauenkirche is also a powerful symbol of reconciliation – a cross of nails was donated by Dresden’s twin city in England, Coventry, which also suffered massive destruction during World War II.
Dresden Frauenkirche History
The first recorded Church of Our Lady in Dresden was built in the 11th century, serving as a missionary church for the Sorbs, a Slavic people living in Saxony and Brandenburg to the north.
The Frauenkirche became the main parish church in Dresden in the late 12th century but had to be rebuilt twice over the following four centuries as it was too small to serve the growing city congregation.
A Gothic church was completed in the late 15th century, and the Reformation (from 1517 onwards) swept through Saxony and much of Central Europe. The Frauenkirche initially became a funeral church, and then began hosting services again – as a Protestant church rather than a Catholic one.
It was decided to rebuild the Frauenkirche again in 1722. The Baroque Frauenkirche was designed and built by George Bähr between 1726 and 1743, although the architect died before his masterpiece was completed.
In 1736 Johann Sebastian Bach gave a concert on the Silbermann organ in the not-quite-completed church.
The 91-metre (298 foot) dome became one of the most iconic sights in Dresden, one of the most recognisable features of the famous skyline painted numerous times by Bernardo Bellotto, nephew and pupil of Venetian painter Canaletto.
Much of Dresden was destroyed in an Allied bombing raid on 13th February 1945. The shell of the Frauenkirche initially survived, but collapsed due to fire two days later.
The heap of rubble that had been the Dresden Frauenkirche remained in situ for the following 48 years, left by the East German authorities as a memorial to the destruction of Dresden.
The Frauenkirche Dresden was then rebuilt from 1993 to 2005, incorporating over 8,400 fragments of the original shattered church.
What To See In The Frauenkirche Dresden
The Frauenkirche is one of the best examples of Baroque Dresden architecture, both outside and inside.
The Frauenkirche dome is unusual in that it’s shaped more like a bell than a classical dome, with an elongated lower section. The dome structure weighs over 12,000 tons.
Only one part of the original Baroque church was left standing after the firestorm that destroyed the rest of the building. You can easily spot this if you walk around the exterior of the church, as the stones of the original part are much darker than those in the newly-built sections.
When you enter the Frauenkirche Dresden, the first thing that strikes you is its soaring height. The church is not very long – only around 50 metres – so this helps create this impression of height, as do the galleries around the sides of the church, where members of the congregation sit.
The Frauenkirche has a typical Protestant layout, very different to that of a traditional Roman Catholic church. The main elements – the altar, pulpit and font – are visible to everyone in the church, wherever they sit.
Like another famous Protestant Baroque church on the opposite side of Germany, the Ludwigskirche in Saarbrücken, the decoration in the Frauenkirche is often exuberant and ornate, with friezes along the front of the seating galleries.
The paintings in the dome replaced the lost originals by Johann Baptist Grone. The new paintings, by Christoph Wetzel, depict the four Evangelists, Mattherw, Mark, Luke and John, and the virtues of faith, hope, love and mercy.
The ornate choir and sanctuary area of the Frauenkirche is one of the best things to see in Dresden. Most of the original material of the altar was salvaged after the bombing, so it has been possible to reconstruct much of it. The original, by Johann Christian Feige, is a series of stone figures with gilded decoration, depicting the capture of Christ at the Garden of Gethsemane while his disciples slept.
It is also possible to visit the lower church, or crypt, whose centrepiece is an altar by Anish Kapoor – this area is reserved for private prayer and you are asked not to photograph this part of the church.
You can also climb the dome to the 67-metre-high viewing gallery – this is accessible via a different entrance. Unlike the main body of the church, which is free to visit, you’ll need to buy a ticket – €10 for adults, €5 for kids and seniors and €22 for a family ticket. This also enables you to get a much closer view of the paintings in the dome.
Where Is The Frauenkirche Dresden
The Frauenkirche is situated on the Neumarkt, the main square in the Altstadt (old city) of Dresden. It’s just a five-minute walk from the river Elbe and other Dresden landmarks including Dresden Castle, the Zwinger Palace and Old Masters Gallery.
How To Get To The Frauenkirche Dresden
The nearest tram stop to the Frauenkirche in Dresden is Altmarkt, a 3-minute walk from Neumarkt where the church is located. Trams 1, 2 and 4 stop there.
There isn’t a direct tram to this stop from the main train station (Hauptbahnhof) but you can take the 3, 7 or 12 to Pirnaischer Platz, and walk the last 300 metres to Neumarkt and the Frauenkirche from there.
The Dresden public transport website has a map of all city centre routes.
Frauenkirche Dresden Opening Times
On most days the church is open for visits between 10.00 am and 11.30 am and 1.00 pm to 5.30 pm. On Sundays visiting hours are shorter – usually 12.30 to 4.30 pm.
Sunday opening times can vary slightly – check on the Frauenkirche website for information, scrolling down to the Calendar of Events section of the page.
Things To See Near The Frauenkirche In Dresden
Immediately outside the church is a statue of Martin Luther, the prime mover of the Reformation of the early 16th century which saw a major split in the Roman Catholic church in Europe. The monument remained intact despite the destructive firestorm that caused so much damage to the rest of the city in 1945.
The Frauenkirche is very close to several of the main places to visit in Dresden. The Brühlsche Terrasse is a famous viewing platform overlooking the Elbe and the Catholic Hofkirche to the west, and it’s just five minutes’ walk away.
Don’t miss the approach to the Frauenkirche along Augustusstrasse, where you pass the Fürstenzug, an amazing mural made from fragments of porcelain depicting Saxon kings and rulers.
Dresden Castle (Residenzscloss) is at the opposite end of Augustusstrasse from the Frauenkirche, and is home to the stunning Green Vault (Grünes Gewolbe) jewellery collection.
This area is where you’ll do much of your Dresden sightseeing, with the Dresdner Zwinger palace, Semperoper and Catholic Cathedral all close together.
David Angel is a Welsh, photographer and historian who has been travelling and photographing Europe for over 30 years. His work is regularly featured in worldwide media including the BBC, Condé Nast Traveller, the Guardian, the Times and the Sunday Times.
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